明天, 今天, 昨天(ghostneuron)

August 24, 2008

Some interesting books

Filed under: Readings

I found some interesting book by chance in Countway Library:

A Morning’s Work By Stanley B. Burns

Sexuality By Sander L. Gilman 

The Story of Civilization By Will and Ariel Durant 

Memories, Dreams, Reflections By Carl Gustav Jung, Aniela Jaffé, Clara Winston

The Writer and Psychoanalysis By Edmund Bergler

April 6, 2008

The wind of Tibet

Filed under: Readings

08年真是多事之秋,民主,民权,民族,民生问题把中国炒得红透了。。。我是自由主义者,认为一切政治都是无聊的消耗斗争, 不过就是有人喜欢斗, 所谓" 与人斗,其乐无穷" 吗. 要追溯历史的话, 我们现在地球上的人类都是几百万年前一个东非女人的后代, 像巴比塔的故事,圣经的故事里讲的一样, 因为羊群,因为女人,利益之争主导了人类社会的历史, 就像最近的新片’10000 BC’ 以及所有历史战争片所描述的, 从兄弟相残, 父子相残开始, 家族之争到国家之战….直到今天,  民族冲突, 宗教冲突, 种族清洗,  恐怖主义 仍然弥漫泛滥着,主宰着人类的未来…一手拿剑,一手拿橄榄枝,人类在这种紧张中进化着, 现在的西藏问题就是最新的例证. 看到两篇西方人关于西藏的著作, 是知识分子的研究专著,看起来很客观, 有时间仔细读一下: "The Shadow of Dalai Lama" and "The Tibet Myth"

March 25, 2008

Do you really know American English?

Filed under: Readings

"It’s better to be thought of as a fool, than to open your mouth and remove all doubt."

___words of today 

 

sounds like "不耻下问“ 

March 9, 2008

Man should change to love

Filed under: Essays, Readings, GGVV

Rilke is a man knowing love and wanted to change as a man:

"For centuries now, women have undertaken the entire task of love; they have always played the whole dialogue, both parts. For man has only echoed them, and badly. And has made the learning difficult with his inattention, with his neglect, with his jealousy, which is also a form of neglect. And they have nevertheless persevered day and night, and have grown in love and misery. And from among them, under the stress of endless need, have gone forth those valiant lovers, who, while they called him, rose above their man; who grew beyond him when he did not return, like Gaspara Stampa or like the Portuguese nun, who never desisted until their torture was transmuted into an austere, icy splendour which nothing could confine. We know about one and another because of letters, which as by a miracle have been preserved, or books of poems written in accusation or lament, or portraits in some gallery that look at us through a longing to weep which
the painter caught because he knew not what it was. But there have been innumerably many more: Those who burned their letters, and others who had no strength left to write them. Aged women, grown hard, but with a kernel of delight which they kept hidden. Uncouth, powerful women, who, made strong through exhaustion, let themselves grow gradually like their husbands, and who were yet entirely different in their inmost being, there where their love had laboured in the dark. Child-bearing women who never wanted to conceive, and who, when they finally died after their eighth child, had the gestures and the lightness of young girls looking forward to love. And those women who remained with their bullies and drunkards because they had found the means, in themselves, to withdraw far from them as they could nowhere else; and this they could not conceal, when they came among people, but were radiant as though they moved always with the blessed. Who can say how many they were, or who they were ? It is as if they had destroyed beforehand the words in which they might be described.

BUT now that so much is being changed, is it not time that we should change? Could we not try to develop ourselves a little, slowly and gradually take upon ourselves our share in the labour of love? We have been spared all its hardship, and so it has slipped in among our distractions, as into a child’s drawer of toys sometimes a piece of real lace falls and pleases him and pleases him no longer and finally lies there among torn and dismembered things, worse than any of them. We have been spoiled by easy enjoyment, like all dilettanti, and are looked upon as masters. But what if we despised our successes, what if we began from the beginning to learn the work of love which has always been done for us ? What if we were to go and become neophytes, now that so much is changing?"

 __from Rilke <The Notebook of Malte Laurids Brigge>

February 19, 2008

Mysterious

Filed under: Readings, GGVV

今天赶着去游泳,正赶上水球队训练,占了大半个池子,剩下的几个泳道里已经积满了人,而且是每个泳道两个人;我等了十分钟,终于走掉了。。。最近试验比较紧凑,有些时间就赶着看书,计划中的每月一本,两本都开了头,齐头并进:  "This is your brain on music" by Daniel Levitin, and "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke, one is scientist, one is poet……hope to finish both before this month end…

尼采说,“人們必須在心中懷著混亂,為了能夠創造一個舞動的新星 “。。。让我的心更混乱些吧!

尼采还说,“人是一根繫在動物和超人之間的繩子。也就是深淵上方的繩索。走過去危險,停在中途也危險,顫抖也危險,停住也危險“。。。人是绳子,谁在上面走呢?是人自己走在自己的心里?退回去安全啊!做动物吧!

November 8, 2007

From movie to psycho

V let me read this movie analysis by a doctor, Diagnosing The English Patient: schizoid fantasies of being skinless and of being buried alive. It’s quite interesting, which ignite my interest to see all the psychos behind movies and novels. And this blog seems tell us something in a person like Almásy. And someone has already make a list for me.  So what’s the psycho behind Lust, Caution, also a movie of debating.

October 11, 2007

Nobel Prize on Literature

Filed under: Readings

British writer Doris Lessing won Nobel Prize on literature this year. cited from the biography of the writer:

"Doris Lessing made her debut as a novelist with The Grass is Singing (1950), which examines the relationship between a white farmer’s wife and her black servant. The book is both a tragedy based in love-hatred and a study of unbridgeable racial conflicts."

"The Golden Notebook (1962) was Doris Lessing’s real breakthrough. The burgeoning feminist movement saw it as a pioneering work and it belongs to the handful of books that informed the 20th-century view of the male-female relationship. It used a more complex narrative technique to reveal how political and emotion conflicts are intertwined. The style levels of differing documents and experiences mix: newspaper cuttings, news items, films, dreams and diaries. Anna Wulf, the main character, has five notebooks for her thoughts about Africa, politics and the communist party, her relationship to men and sex, Jungian analysis and dream interpretation. The disjointed form reflects that of the main character’s mind. There is no single perspective from which to capture the entirety of her life experience."

"In the novel series Canopus in Argos: Archives (vol. 1–5, 1979–1984) Lessing expanded the science fiction genre. The series studies the post-atomic war development of the human species. Lessing varies thoughts about colonialism, nuclear war and ecological disaster with observations on the opposition between female and male principles. Among inspirations for the work was the Idries Shah’s school of Sufism that she discovered in the 1960s. Doris Lessing revisited her interest in Sufism in the Time Bites (2004) collection of essays."

Granny Lessing is really a surfer in the human world, she experienced colonialism, communism, rasism, capitalism, and globlization, and she is in science fiction lands, what a modern girl, woman and artist…..But there are only one theme in center, Men-women relationship…….I hope to do some reading later.

July 13, 2007

No Man Alone

Filed under: Neuroscience, Readings

"We know that our work is rightly both an instrument and an end. A great discovery is a thing of beauty; and our faith- our binding quiet faith- is that knowledge is good….So it is with us as scientists, so it is with us as men. We are at once instrument and end, discoveries and teachers, actors and observers."   __Robert Oppenheimer in his Reith Lecture " Science and Common Understanding." 1953

I’ve just finished reading the book No Man Alone- A Neurosurgeon’s Life by Wilder Penfield, a famous American neurosurgeon and neuroscientist, who once worked with many big guys of neuroscience in the 20th century like Sherrington, Cushing, and Cajal. He himself is the first to discover oligodendrocytes in the brain, an expert on brain surgery, and he is also a good leader to build a neurological institute in Montreal. He was most active during the 1930’s as a young man in his thirties, both on medicine and research. His good and simple writing made it a popular autobiography for medical students. At least in the book I was reading, there are many pen underlines. I admire this type of people whose life is like a legend…most important I find strength from the book to carry on my own life, as a scientist, as a doctor and as a man……

May 10, 2007

The pass of humanism

Filed under: Readings

读报闻余英时获2006年美国国会图书馆Kluge人文与社会科学奖,知此人为通晓国学,汉学,中国学的学者,著作有 《历史与思想》《中国思想传统的现代诠释》《方以智晚节考》《论戴震与章学诚》《红楼梦的两个世界》《中国近代思想史上的胡适》《陈寅恪晚年诗文释证—兼论他的学术精神与晚年心境》《犹记风吹水上鳞—钱穆与现代中国学术》《朱熹的历史世界—宋代士大夫政治文化的研究》《宋明理学与政治文化》

引起我对中国传统文化的兴趣. 希望有时间读一下他的书. 余的语录有: "读书的第一要义是尽量求得客观的认识, 不是为了炫耀自己的创造力,能发前人所未发" 用科学家的口吻就是, 作科学研究的要义是格物致知,不是为了得诺贝尔奖; 也即名利都是副产品, 知识才是最重要. 余英时也赞赏中国近代的两位大学者,王国维与陈寅恪, 说中国传统文化自1949年就断了,虽有偏激, 但确忽有理.  

王国维在<<人间词话>>里有名句: 古今之成大事业、大学问者,必经过三种之境界:“昨夜西风凋碧树。独上高楼,望尽天涯路。”此第一境也。“衣带渐宽终不悔,为伊消得人憔悴。 ”此第二境也。“众里寻他千百度,蓦然回首,那人却在,灯火阑珊处。”此第三境也。除此之外,我对他知之甚少. 有云 “余之性质,欲为哲学家则感情苦多,而知力苦寡;欲为诗人,则又苦感情寡而理性多。” 陈寅恪认为王国维的学术成就“几若无涯岸之可望、辙迹之可寻”. 而王国维的自杀也像屈原一样影响深远. 陈寅恪在《王观堂先生挽词》中写道"凡一种文化值衰落之时,为此文化所化之人,必感苦痛,其表现此文化之程量愈宏,则其所受之苦痛亦愈甚;迨既达极深之度,殆非出于自杀无以求一己之心安而义尽也。" “吾中国文化之定义,具于白虎通三纲六纪之说,其意义为抽像理想最高之境,犹希腊柏拉图所谓Idea者。若以君臣之纲言之,君为李煜亦期之以刘秀;以朋友之纪言之,友为郦寄亦待之以鲍叔。其所殉之道,与所成之仁,均为抽像理想之通性,而非具体一人一事。” 实在是令人景仰之人.

陈寅恪也是个令人景仰的大学者,以倡导为人治学当有“自由之思想,独立之精神” 著称, 著有<<柳如是别传>>, 他游学德国,瑞士,法国,美国, 能阅读蒙、藏、满、日、梵、英、法、德和巴利、波斯、突厥、西夏、拉丁、希腊等十余种语言, 虽没有学位,却被聘为清华国学院导师. 最令人称道的是他对王国维的评价也是他自己的价值观, 坚持自己的人生理想, 在困境中依然能不屈服于世俗的压力. 虽然大教授和常人一样有弱点, “历史系一级教授陈寅恪双目失明,他胆子小,一听见喇叭里喊他的名字,他就浑身发抖,尿湿裤子,他就是这样被活活吓死的﹗".

在当今西方文化强势的时代, 中国文化如何吸纳吐新确实是个难题. 希望自己对其有所贡献.

April 27, 2007

Das Parfum

Filed under: Readings

 

花了几天时间看完了Patrick Suskind的Perfume,  两头快中间慢。这是很令人回味的一本书。书中香水的制作过程描述很是细致,像蒸馏,浸泡,花粉提取等古老的工艺,现在已被更有效的萃取方法所取代了。Jean-Baptiste Grenouille一出生起便经历了无数劳累,疾病,痛苦,从最肮脏的巴黎走出,凭着上帝或撒旦给与的天赋和自己执着的追求,制造出超越一切的魔力香水,似乎是至善至美的世界;然而这是通过谋杀25个青春少女实现的,又是至恶的世界;故事的结尾出人意料处也是最精彩的部分又把这个世界颠倒过来,魔力香水或者终极欲望的象征救了Grenouille,他成了超越一切圣人上帝的美的化身;同时魔力香水也展示出人类的丑恶,传统的社会道德秩序被打破;最后这欲望把他自己也吞噬了。小说塑造了几个难忘的人物:Madame Gaillard,Grenouille的奶妈,经历了90多年的省吃俭用的艰苦生活后,终于在大革命中死去,连她一生追求的体面死法都没得到。Grimal,Grenouille的第一个老板,剥削他到极致的染坊主,在卖掉他后意外醉酒而死。Giuseppe Baldini,知名香水企业家,收留Grenouille为徒,传递给他纯化香水的技艺,更通过他的天才徒弟致富,在给了Grenouille 自由后在大革命来临时意外死去。Taillade-Espinasse- Marquis,知名民间科学家,创造了“地上的东西使人致病衰老,天上的东西使人健康长生”的理论,并以展示Grenouille验证,从而使Grenouille在7年野外生活后又重新回到人间,后来这位科学家死在自己的实验里。 这些人物都是在适当的时间出现,在适当的时间消失,全为Grenouille的成长作绿叶饰。作者所充分表现的是人类的肮脏,龌龊,丑恶,和对香水奇才Grenouille的赞赏。他嗅觉超人,能吃苦,不为一切世俗欲望所动,以酿造出魔力香水为自己的终极目标,颇有中国武侠小说里武林高手的味道。他从一个肮脏的地方出生,以丑陋的外表,坚强的内心,追求极致的美,然后又回到这个肮脏的地方死去,他实现了自己的愿望,然而最后他也不知道自己在这个世界存在的意义,这正是困扰人类的终极谜题。联想到本月初赵承熙枪杀32人的校园惨案。事后有人留言道,“希望你知道我并没有太生你的气,不憎恨你。你没有得到任何帮助和安慰,对此我感到非常心痛。所有的爱都包含在这里。劳拉” ,“赵,你大大低估了我们的力量、勇气与关爱。你已伤了我们的心,但你并未伤了我们的灵魂。我们变得比从前更坚强更骄傲。我从未如此因身为维吉尼亚理工学 生而感到骄傲。最后,爱,是永远流传的。艾琳”。这又是一场人类美丑善恶的斗争,赵承熙的极端暴力未必不会产生象魔鬼香水一样的效应。






















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